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ISSUE 01 / NEW ARRIVAL

FORM
FOR
THE DAY.

Quiet pieces built to change the way a day holds together.

ENTER THE EDIT
Model in tailored white layers holding a coral accessory
LINEN / WOOL / WEATHER
MEASURED IN SMALL RUNSDESIGNED TO REPEAT
02 / SILHOUETTES

Four ways to make a useful shape.

03 / FIND YOUR LINE

START WITH
THE DAY.

04 / THE DUNE METHOD

THE BEST PIECES
LEAVE SPACE.

We begin with proportion, then remove everything that only asks for attention. The result is an edit that can hold its place in a changing day.

OUR STUDIO NOTES
Tailored white look against a pale stone wallCoordinated black and red garments arranged as a flatlay
05 / STUDIO NOTES

Four constraints that keep the edit focused.

Cut studio study

A line begins with where the fabric stops.

Weight studio study

Enough structure to remain useful, never too much.

Object studio study

The useful thing is considered at the same scale.

Colour studio study

One note changes the entire proportion.

06 / CURRENT PIECES

THE SMALL
EDIT.

Four foundations with enough room for the rest of the day.

SMALL RUNS / RESTOCK NOTES ON REQUESTCOMPLIMENTARY DELIVERY OVER $240FITTING NOTES WITH EVERY ORDER